Four abstracted female forms stand back to back, carved from a single block of wood, their curves echoing the rhythm of breath and movement.
Though they face away from one another, their closeness implies a shared origin—or perhaps a shared burden.
Placed atop a salvaged foundry mold, the figures appear poised to step off, to begin a dance or a departure. Yet the base is directional, almost track-like—suggesting not just freedom, but trajectory.
The Fourfold explores the tension between agency and structure, individuality and collective identity. It is a sculpture of subtle motion, one that invites questions about where we’re allowed to go, and what must carry us there.
This sculpture balances elegance and unease. Carved from limestone, the torso suggests both classical beauty and anatomical rawness. A found metal object—bolted across the chest—interrupts the organic flow with mechanical precision, evoking restraint, memory, or intervention.
The Sheathed explores what is embedded, what is hidden, and what holds.