Metal, Plastic, Plaster, Fired Clay, Leather, Found Objects (Mixed Media)
96 x 108 x 16 inches
A condition of sustained pressure in which release and reconfiguration are structurally denied.
Turning slowly, "Gyre, The Turning Point" refuses a single perspective, instead presenting a restless cycle of gazes. The work recalls a compass, a clock, and an oracle all at once, echoing the unstable balance of a world caught mid-rotation. Gyre becomes both a countdown marker and a pivot: a reminder that time is not only passing, but turning — and with each turn, a choice of direction looms.
Small metal remnants hang in uneasy suspension, circling on threads so thin they nearly vanish. Their restless orbit suggests the weight of time held just above collapse — a fragile system turning until its tether gives way. A portrait of days left hanging, each one precarious, provisional, and subject to forces beyond control. The countdown is not a steady march but a spinning drift: unstable, exposed, and nearing its inevitable break.